Theology After Postmodernity
By
12.29.14 |
Symposium Introduction
12.31.14 |
Response
God is Not Everything
AT THE OUTSET I SHOULD SAY that I cannot do justice to Tina Beattie’s wonderfully rich, subtle, and provocative book. My essay attends to only a few chapters of her work, deriving as it does from a symposium where the parts of the book were parcelled out between different participants. My brief was to reflect on Part IV (“Sexing Desire”), and which I do—to some extent. But I have to admit that I couldn’t help straying into some other parts, especially if they had to do with questions of being, and with the distinction between matter and form—around which the following reflections are themselves formed. As I hope befits the book, I am going to be as critical as I can, while all the time admitting to following after where Tina has led.
Theology after Postmodernity weaves together Thomas Aquinas and Jacques Lacan, and through their intersection raises questions of theology, psychoanalysis, and culture. The whole is in pursuit of what ails modern subjects, and above all the relationship between the sexes: the modern misogyny that treats women as but matter for using and disposing. The book is full of detailed discussions of difficult texts, but set within an overarching narrative that—stretching from Aristotle via Thomas to Lacan—is presented as a story of how the West has come to be, especially Western Christianity, and Catholicism in particular. It is—dare I say it?—a grand Milbankian narrative.
Modern Misogyny
Pornography captures the nature, the horror, of modern gender. Beattie tells us that “the invention of modern pornography constitutes a sustained fantasy about the female body as sexual matter to be enjoyed, penetrated, dominated, or destroyed” (264). But this fantasy has ancient roots. An early, Aristotelian association of woman with matter and man with reason has resulted in the Sadean fantasy of an entirely passive, pliable flesh, subject to whatever forms the male master can devise. The body, but especially the female body, is matter formed, performed, by others and even itself. Though one might wonder if there can be good performances of the body, Beattie is concerned with the unhealthy, the violent, the entirely destructive. And this state of affairs would seem the fruit of conceptual moves in the distant past, of which Thomas Aquinas is the focal point. But Thomas also has resources for reforming this trajectory and tradition, though he will need some help from Jacques Lacan: a claim that might seem doubtful to some. But in part four of Beattie’s book, Lacan’s aid is sought in reforming the Thomistic tradition for a post-postmodern world. This is done through reading the transition between Lacan’s Seminar VII and Seminar XX, a development from the beginning of the 1960s to the 1970s.
Back in the early sixties, Lacan was still following Freud in thinking man “all” and woman “nothing.” Instead of the relationship between form and matter we have that between the symbolic and the real. As Beattie writes, one “becomes male or female according to where one stands with regard to a copula in the order of being between form and matter (Thomas) or the symbolic and the real (Lacan)” (260). In Seminar VII “[f]eminized jouissance is associated with the real as the annihilating other of the masculine subject, and the female body is a deadly source of putrefaction and obscenity masked by the language of feminine beauty and erotic desire” (262). And all of this—and there’s more—is supposedly “underwritten by Thomas’s Aristotelian ontology” (261). But a decade later, and Lacan is, if not exactly a new man, a man thinking better about women.
But I wonder if Thomas underwrites Jacques because Jacques has been written back into Thomas, where woman is now identified as “matter/lack,” when, in fact, as Beattie herself notes, “Thomas’s account of sexual difference is about a difference in degree rather than in kinds of being” (264). It is arguable that the former view—of men and women as almost different kinds of creature—is of much more recent origin, one that another Thomas—Thomas Laqueur—tracks to the eighteenth century and finds greatly developed in the nineteenth. The thirteenth-century Thomas’s view seems much closer to what Laqueur describes as a one-sex model of the sexes, with woman a weaker form of the man. Thus in this more ancient way of thinking both male and female produce semen, but the woman’s is of a less perfect kind than that of the male.1 Lacan’s account of woman as lack would seem closer to a later, two-sex model, which sees men and women as radically different kinds of being: as “all” and “nothing.” This, after all, is where Laqueur almost situates Freud, “who is very much a man of the Enlightenment, inheritor of its model of sexual difference.”
Anatomy is destiny, as [Freud] said in a phrase he did not really mean; the vagina is the opposite of the penis, an anatomical marker of woman’s lack of what a man has. Heterosexuality is the natural state of the architecture of two incommensurable opposite sexes.2
But Freud doesn’t quite fit this model, since in places he also imagines the sexes as versions of one another, and subject to a common libido. So Laqueur finds in Freud a “version of the central modern narrative of one sex at war with two.”3 And thus we might suppose a similar confusion in those who would return to Freud, and thus wonder if they are less in debt to the Aristotelian-Thomist tradition than Beattie suggests, albeit that Lacan read Thomas.
Pleasure
In what I read as a short detour, Beattie discusses the dim view that Thomas takes of sexual desire, which, unless it is properly channelled for marital fecundity, is deemed vicious. But I think it somewhat unfair to throw at Thomas the apocryphal story of the young girl thrown at him, in a bid by his family to turn him from a Dominican lifestyle. That the story does not jar with Thomas’s theology of the sexes merely tells us that in this regard he was a man of his time, a man formed in a theological tradition that from St Paul onwards had worried about fornication. What is interesting about Thomas is that he does not suppose sexual desire unnatural, but part of “the goodness of being,” as Beattie notes (265).
We might suppose that the “condemnation of desire in relation to the body’s capacity for pleasure . . . is an arbitrary command . . . issuing from a God who seems to be, in Lacanian terms, ferociously ignorant of the nature of human sexuality” (265). But Thomas is not so ignorant that he does not seek to find the virtue in sex, in its moderate practice, and which practice requires that it also takes vicious forms, the extremes between which the mean is set. This is how he understands what we now name as homosexuality: not as an orientation but as an excess of libido, when it goes beyond its procreative purpose, overstepping its nature. But it is not that Thomas simply disapproves of sexual pleasure, for he can note that virtuous sex is more pleasurable than vicious. Thomas’s problem is that he has no conception of sex as given for relationship and enjoyment as well as for procreation, and so given as a good of the person, rather than as a correlate of generation, which is—as he notes—a good of the species. In short, Thomas suffered from too limited an understanding of the natural law. But we need not, though this is news that has yet to fully spread throughout the church.
Essence and Existence
Such a development of Thomistic natural law theology does not need help from Lacan. Indeed, he might be more of a hindrance than a help. Lacan’s Seminar VII does not sound at all promising. But in chapter 14 (“Being Beyond Philosophy”) Beattie (re)turns to Seminar XX, in which—as she tells us—Lacan, at the beginning of the 1970s, allowed woman to speak (272). But Beattie first discusses being, and Thomas’s understanding of God’s being as just that: be-ing. While creatures are, as it were, a composite of essence and existence, the creator’s essence is existence. The pure act of existing is God’s essence or nature. The nature of God is to-be.4 This means that the difference of God from everything else is not one more difference between existents, but a different difference that is beyond “all differentiation.” This pure difference “can only be posited as a difference so extreme that we have no way of conceptualizing or naming what it might be, beyond that it is the very condition of [our] being” (277).
However that may be, Thomas’s God enters into Lacan’s later thought as a foil to a masculine subjectivity that thinks itself capable of thinking and being all, but which finds in woman a not-all—a lack—that both attracts and appals. Beattie finds this male subject projected as the God of the philosophers, the kind of deistic God imagined by Richard Swinburne: “an infinitely extended (and disembodied) version of an Oxford professor”5 (278). This is man imagining himself God; imagining God in his own image (279). Over against this God-Man is the other of the unconscious, of the woman, and of the different, Thomistic God, the not-all that now reveals the phallic subject of the symbolic to be but a symptom of desiring the very thing it is not (280). At least this is the sense I have so far made of Beattie making sense of Lacan. The upshot would seem to be—and I simplify grossly—that in order to be happy we should give up trying to be all, or, as Beattie puts it, we should “let go of the pretensions to be spirit/form by taking up the position of body/matter” (281). Though of course Thomas might say that we should rather acknowledge that we are spirit and body, form and matter, and even man and woman; a composite being, that is neither all nor nothing.
In regard to this learning that man is not everything, and cannot be all, I am reminded of another Jacques—Jacques Pohier—who learned that God is not all and doesn’t want to be everything.6 And Pohier learnt this from reading Thomas, and in particular Thomas’s reflections on charity and on the two commands by which Christians are to live: to love God and to love the neighbour. We are to love God, but not only God, and not God covertly through loving the neighbour. We are to love the neighbour as ourselves, and we are to love ourselves. God may be in all our loving, but our loving is not all for God. From this starting point, Pohier developed his teaching that God does not want to be everything, and it is a thought that increasingly comes to mind when I read certain theologians. Thus there is no doubt a wisdom in the other Jacques—Jacques Lacan—but might it be one that was first in Thomas?
Form, Matter, and Charity
But now to return to the issue of how far Thomas’s use of the form/matter distinction is gendered as male and female, and how far this gendered distinction informs his conception of God, an informing that then redoubles its force in the lives and bodies of men and women, with man become God to woman’s creature. This is no doubt a detour from the main course of Beattie’s argument, but I wonder if the gendering of form and matter is less paternalistic than Beattie allows, that there is—shall we say—something feminine in the way that form coaxes the potentiality of matter into the actuality of specific beings, something that is more like nurturing than imposition? Of course Beattie is ahead of me, and in later chapters of her book than those I am considering she will argue for a certain maternity in Thomas’s conception of the Trinity, a maternity that troubles his otherwise paternal deity. But here I want to return to Tina’s first extended reading of Thomas’s gendered God, which is in relation to his discussion of Mary’s role in the conception of Jesus (100–03).
Each creature is a composite of form and matter, and Thomas supposes, following Aristotle, that the form of the human is supplied by the man and its matter by the woman. But in the case of Jesus there is no man to form Jesus’s manliness, and so the question arises as to whether it might have been provided by Mary herself. Thomas holds that in normal conceptions the woman provides the matter, “which is menstrual blood,” and he is also aware of the view that the woman also provides a seed, “which when mingled with that of man, plays an active part in generation,”7 the two seeds together forming the blood into an actual conceptus. Thus it might be possible that the Holy Spirit had turned Mary’s seed from passive to active and so effected conception. But Thomas rejects this, on the grounds that male and female have distinct roles or operations in procreation: “that of the agent and that of the patient.” There can be no question of the passive taking on the active role, though Mary did actively prepare “the matter to be apt for conception,”8 and that matter was pure blood since untainted by lust.9 But Mary could not become the father of Christ. This argument would seem to establish and confirm Beattie’s case that form is paternal and matter maternal, and that paternity is associated with divinity.
But Christ is conceived in Mary not by God the Father alone, but by the whole Trinity, and with the conceiving attributed to the person of the Holy Spirit. This is because Christ comes into the world out of love for us, and the Spirit is love, the love between Father and Son.10 Each of the divine persons acts in the conception of Christ, but to the Spirit is attributed “the formation of the body assumed by the Son,” for the Spirit is the Spirit of the Son. As the scripture says, the Spirit comes upon Mary, “as if for the preparation and formation of the matter of Christ’s body.” The Spirit is the seed, if by seed we mean the “activating force” and not a “substance transmuted in conception.”11 This then might suggest that the Holy Spirit is the father of the Son, but Thomas denies this. And yet it does suggest—perhaps—that the active form is not so much paternal as charitable. It is by the Spirit that Christ is conceived in the womb of the Virgin; it is by love that her matter is formed into Christ, who is also her son. As Eugene Rogers puts it, Christ is completely formed by love12. Elsewhere we find Thomas talking of form as charity, as when in his discussion of faith he writes that “nature compares to charity . . . as matter to form.”13 And we must say something similar of all created things, since their forms in the mind of God are the means by which they are constructed. This last is again from Rogers, who suggests that we understand form as “construction,” on analogy with “construction” in constructivist gender theory.
Bodily Knowledge
There is a knowledge of the body that the body has. But as such it is an animal knowledge: the knowledge of the swallow’s flight, the bee’s dance, the dog’s response to its mistress’s voice. It is not a reflective knowledge, a knowledge of knowledge; the sideways step of the symbolic. The body cries with different tears when upset than when in pain, with a different chemistry of emotion, with hormones that gratify and reduce stress as well as kill pain. But, pace Beattie, this is not an eloquence lost with “naming and writing” (292), but precisely gained in its wording. Yes, the body may know more than we can speak, but we can also speak more than the body knows, because our speaking enables enquiry and reflection. And there need not be a dichotomy between these two ways of knowing, for we can think the symbolic a bodily production, the result of matter calling forth form; which would, I think, be a Thomistic position. And of course Beattie knows this already, as she goes on to say that the world is known “through the conjoined relationships of the symbolic, the real, and the imaginary” (293–94). Indeed, she goes further, repeating after Lacan that “[t]here is no prediscursive reality” (294). This claim is either the arrival of idealism—and so the dissolution of the body—or hyperbole, and presumably it is the latter because on the next page we are reassured that the “closest we can get to a prediscursive reality” (297) is through a bodily speech prior to writing, so presumably there is a reality after all, even if the degree to which we can reach it is unknown, and Beattie invokes a myth about writing; one over which yet another Jacques—Jacques Derrida—so long battled. The body may know more (of some things) than we can say, but we can also say more (of the body) than the body knows. After all, it was Freud who explained that the truth of the unconscious is revealed in the writing of the analyst.
Appropriate Equivocation
Being—the being we know, and which is not the being of God—is a composite of matter and form, and I repeat the point because sometimes the terms seem to slip, with one being used for another; with, say, “being” used for “matter.” Does this matter? I think it does when we are using terms that, derived from Aristotle and Thomas, were not by them used univocally, but used sometimes to make formal distinctions and sometimes to venture something more descriptive. Moreover, I don’t discern in Beattie that concern which has obsessed other commentators on Thomas to maintain the equivocity (analogy) of “being” when used of creator and creature, so that we cannot mean them in the same way in both cases; so that we cannot really know what we are talking about when we talk of God.
And if “being” is used in different registers when speaking of the beings that participate in the being of God, and when talking of that in which they participate, we must suppose the same of other terms—such as form and matter—when they too are used analogously across the difference between creature and creator. God’s form—if God is form—is different from the form that constructs matter; one is the divine charity in itself and the other that charity as it brings things to be as one thing or another. A certain indifference to these equivocal distinctions makes it easier for Beattie to lay her major charge against Thomas; but also for it to be, if not rebutted, then at least weakened, softened, rendered less certain.
But now I am trespassing on another part of Tina’s book. And it may yet be that it is impossible to stop the masculinity of form from seeping into that different form that is the be-ing of God, and so stop divinity from seeping into masculinity.
Thomas Aquinas, Summa Theologiæ, edited by Thomas Gilby OP, 61 vols (London: Eyre & Spottiswoode, 1964-81), 3a, 31, 5, ad tertium.↩
Thomas Laqueur, Making Sex: Body and Gender from the Greeks to Freud (Cambridge, MA: Harvard University Press), 233.↩
Ibid.↩
David B. Burrell, Aquinas: God and Action (London: Routledge & Kegan Paul, 1979), 22–24.↩
Grace Jantzen, Becoming Divine: Towards a Feminist Philosophy of Religion (Manchester: Manchester University Press, 1998), 28.↩
Jacques Pohier, God in Fragments, translated by John Bowden (London: SCM Press, 1985).↩
Thomas Aquinas, Summa Theologiæ, 3a, 32, 4, responsio.↩
Ibid,, 3a, 32, 4, responsio.↩
Ibid., 3a, 31, 5, ad tertium.↩
Ibid., 3a, 32, 1, responsio.↩
Ibid., 3a, 32, 2, responsio.↩
Eugene F. Rogers Jr, Aquinas and the Supreme Court: Race, Gender, and the Failure of Natural Law in Thomas’s Biblical Commentaries (Oxford: Wiley-Blackwell, 2013), 38.↩
Thomas Aquinas, Summa Theologiæ, 2a 2ae, 2, 9, ad primum.↩
1.5.15 |
Response
Contemplata aliis tradere
Notes on Tina Beattie’s Lacanian Thomism
TINA BEATTIE’S THEOLOGY AFTER POSTMODERNITY: Divining the Void—A Lacanian Reading of Thomas Aquinas1 calls for a “Copernican revolution” in theology (399). Beattie argues that the Church needs a revisionist reading of Thomas Aquinas that is both faithful to Catholic theological traditions and responsive to contemporary concerns. Her book attempts one such reading by testing the argument of the audacious claim: “just as Aristotle provided Thomas with a new way of reading Christian theology, I am suggesting that Lacan provides us with a new way of reading Thomas” (343). I enthusiastically accepted the invitation to respond to Theology after Postmodernity because I was and remain deeply sympathetic with Beattie’s concerns. They animate my own work also: questions about nature, grace, gender, embodiment, sexuality, rhetoric, writing, and the theology’s embodiment in practice. Beattie’s practical critiques and recommendations about gender, sexuality, marriage, sovereignty, and economics often elicited my sympathy as well. That said, this response is different than I thought it would be. I often found myself disagreeing with the arguments that she used to approach and arrive at her conclusions. Because this forum calls for charitable critique, I focused on the disagreements I thought were most important and interesting. I hope I have written with clarity, specificity, attentiveness, and fair-mindedness so as to invite her response and push-back.
I’ll start by stating the book’s main argument as I understood it: Thomas inconsistently and perhaps unwittingly posited two incompatible accounts of God. Sometimes he wrote as if God was the Greek God2 inspired by Aristotelian philosophy, and sometimes he wrote as if God was the Biblical God, which Beattie refers to as the “maternal Trinity.” The book can be read as a dramatic contest in which Greek Father and Biblical Mother vie for dominance within Thomas’s theology, his psyche, modernity, and contemporary Catholic theology. The multi-layered drama of the two deities unfolds as Beattie addresses these four levels.
Writing Theology like Thomas: Psyche and Theology
Beattie opposes the “highly specialized and combative dialectics of Latin scholasticism” (121) in Thomas to the “flamboyant language of mystical desire” in Catherine of Siena (127). The Summa of Theology “manifests” Thomas’s “commitment to reason . . . in the pedantry of its style and its plodding attentiveness to the detail of arguments” (142). The “dialectical” Summa is “abstracted from the bodies about which it speaks.” Its “either/or approach” does not require a “range of voices that might suggest different bodily positions in relation to one another, for it is the arguments, not the speakers, that count” (373).3 Catherine of Siena’s “dialogical” style is “determined by the character who speaks.” The “dialogical style offers a both/and [approach], with a much greater sense of plurivocity, fluidity, and subtlety with regard to possible identities, meanings, and subject positions” (373).4
Catherine’s style is in every way preferable to Beattie, which is why the reader should take note whenever Thomas departs from his pedantic and plodding commitment to reason. The departures are subtle, as when he uses phrases like “if one may so speak” when discussing God’s being. For the claims about style aren’t just about style—they’re also about the psyche that produced the style. That psyche serves as a hermeneutical tool to offer a fairly consistent reading of Thomas’s theology. Beattie finds Thomas’s real, true theological intention, “the direction in which Thomas’s thought wants to go,” precisely in these stylistic shifts (323). They reveal that Thomas means something or wants to mean something he doesn’t quite say. He can’t say what he really wants to say; he is “seduced” by the language of divine (male) form and androcentric Greek philosophy (320). The shifts thus signal a break from the power of Thomas’s Greek sources, and they serve as interpretive keys to the whole of Thomistic thought. For in them, Thomas is able to depart from “the philosophical rigor of his Aristotelianism” and adopt an “impressionistic and mystical idiom,” for he “knows that he has waded into a more fluid and boundless possibility of being than that which can be expressed within the singularity of Aristotle’s God” (353). The subtleties of Thomas’s style, then, signal to the reader how to sort the texts: when the style is dialectical and rational, read Greek influences. When the style hesitates, read mystical “bedazzlement.” This reading further implies a fairly rigid understanding how Thomas’s texts relate to their “philosophical” sources.
Beattie frequently describes Thomas’s psychological state or the content of Thomas’s consciousness in order to warrant her interpretations. Though she often (though not always) says when she speculates or suggests something about Thomas’s psyche, the combined effect is determinate, and the psychological claims work to sustain a consistent reading of the texts. The reader is invited to see God in Thomas’s texts through a psychological drama that corresponds to the drama of the two deities. She sometimes offers a fairly straightforward psychoanalytic interpretation: “Thomas is unable to think through or express the relationship to the mother, even though it haunts his dreams, desires, and prayers in the inter-personal fecundity of the Trinity” because “the male mind projects itself onto the Other as the One, the Father . . .” (204). She reads from his experience into the text “indifference tinged (one suspects) with a deep underlying anxiety. He was traumatized by his early encounter with a prostitute” and therefore more likely to adopt Greek logocentric thought to cope with his trauma (142). Sometimes, she claims, Thomas hesitates. These hesitations—interpreted as such precisely because of the way they fit in the psychological drama—break with the logocentric Greek framework. Thomas “experiences . . . mystical ‘bedazzlement’ when he shifts from the singularity of God in terms of Aristotelian theology, to the relationality of God in the Christian Trinity” (339). “Why does Thomas allow these moments of hesitation to interrupt his line of thought?” she asks. They are “symptoms of Thomas’s awareness that all is not quite as he is saying it is… Deep down, Thomas knows that the God of whom he speaks is the (m)Other of the One of Greek philosophy” (320). In general, then, we can “speculate that he was aware of the potent phallic symbolism that lurked within Neoplatonic imagery, and was assiduously trying to avoid the implications of that” (142).5
It’s important that the reader perceive disembodiment in the dialectical rhetoric. The “either/or” choice and “philosophical rigor” of Thomas’s dialectical rhetoric made Thomas less nuanced and inclusive of different embodied perspectives than he might have been. His style requires of him “the greatest possible abstraction of ideas and argument from their corporeal and affective contexts” (152). Beattie thus reads Thomas’s style into a program of bodily discipline. She approvingly cites a passage that asserts that Thomas adopted the Aristotelian ideal “the bios theoretikos,” which is “intellectual training for its own sake” (149).6 The corresponding spiritual impetus was for the intellect to “free itself from the domination of the body” (150). Thomas thought and argued like he did, Beattie argues, because he separated the life of the intellect from the life of the individual and social body.7 The theology of bodies in Thomas’s thought and writing style, then, depended on his spirituality of bodies.8 This spirituality explains why Thomas consistently felt compelled to adopt Aristotelian categories of thought.
Beattie’s explanation of the social embodiment of Thomas’s spirituality is both interesting and counterintuitive: “Thomas privileges the contemplative life as the one that most fully expresses the meaning and vocation of human existence” (129). Contemplative life, “ideally experienced in solitude and withdrawal from the world,” (131–32) requires that one “detach one’s mind from one’s bodily sensations and desires” in order to know God (137). Christian life on these terms undermines the account of human relationality and materiality so frequently associated with Thomas’s hylomorphism:
Love of God alone and solitude are the characteristics of the perfection of religious life. Thomas’s homo religious is a man who must choose between the ordinary relationships, desires, and affections of his social and sexual nature… and the abandonment of all relationships, desires, and ordinary affection in order for his mind to rise to a state of near-angelic contemplation of the divine mystery” (137).9
On this reading, Thomas’s views on the contemplative life contradict his account of the human body’s intrinsic relationality. “The phallus” is “veiled by a rational order that perpetuates its organizing power through descending hierarchies of fatherhood rather than phallic logocentrism, organized according to Aristotelian philosophy and underwritten by the fatherhood of God” (138). This explains why Thomas wrote and thought so as to purify “the intellect from the taint of the body” (378).10 Somehow, on Beattie’s reading, Thomas’s biblical emphasis on materiality, vulnerability, and embodiment “never interrupts the logic of Thomas’s social Aristotelianism” (245).11
Thomas’s social practice, then, embedded in a Greek account of natural order, explains how and why “Thomas’s thought is androcentric through and through” (118).12 The form/matter distinction, intrinsically gendered, proceeds from the logocentrism of his social practice. The basis of Thomas’s metaphysics, then, always resonates as inseminating father and receptive mother. This metaphysical distinction, of a piece with his social practice and views, “infected” Thomas’s theology.
I think that it is insightful to frame Thomas’s theology through his explicit and implicit claims about nature, gender, and God. I also appreciate the attention to style, and I especially agree with the move to read theological thought like it is part of a “school” in which practice and theory are inseparable. But I find it difficult to see how Beattie arrives at her conclusions about Thomas’s style, sources, and the dialectical structure of his thought. Denys Turner and Frederick Bauerschmidt, following Leonard Boyle’s influential interpretation of Aquinas, have convinced me that much of Thomas’s life and thought was invested in undermining exactly the sorts of views of the contemplative life that Beattie attributes to him.13 Most of the substantive and methodological difficulties I had with Beattie’s book on approach, style, sources, and structure flowed from this basic difference in approach to Thomas. I’ll say what that difference is and how I think affects the other questions that Beattie’s book raises. As far as I can tell, Beattie did not engage Boyle’s interpretation of Aquinas, despite the alternative light it sheds on her perspective and the influence it had on twentieth century interpretations of Aquinas.
For Turner and Bauerschmidt, Thomas wrote his Summa of Theology as a “friars’ theology”14 for the “wholesale reform of Dominican theological education.”15 Turner puts it nicely: for Aquinas, “there is a form of holiness achievable within the practice not of monastic contemplation but of mendicant preaching”16 because “it is better to cast light for others than merely to shine for oneself.”17 Bauerschmidt argues that Thomas systematically subordinated his monastic vows of celibacy, poverty, and obedience to the life of preaching for the sake of evangelical practice: “holy teaching as a way of life.”18 According to Turner, Thomas argued nearly the opposite of what Beattie attributes to him on the contemplative life: “the better form of life than the merely contemplative is contemplare aliis tradere, to hand on to others what they have drunk from their own wells of contemplation. The Summa is . . . a poor man’s theology, the poor Christ as theology. Friars must carry that theology with them, as poor people do, in their heads, in their skills, in their training.”19 Thomas wrote a number of treatises defending the mendicant orders on these terms, and it founded his understanding of Christina life.20 Thomas’s writings, then, aren’t at all consistent with the withdrawal from the world that Beattie attributes to them. As a curricular reform, the Summa in particular was written exactly to remove “the practice of theology from its enclosure within the secluded and specifically prayerful practices of the cloister, liberating it for a multitasking practice in the street” in a way that is congenial to many of the aims Beattie expresses.21
Thomas’s style reads differently in this framework. Language, though intrinsically abstract, makes deeper bodily intimacy possible because it is the way that human bodies achieve specifically human intimacy with one another.22 Thomas wrote as he did not to keep different kinds of bodies from his work, but to make it possible to invite more bodies in. In order to do so, he had “to get out of the way.” His language had to efface itself in order for Christ’s body—especially as it manifests itself in the poor and marginalized—to become more visible. Thomas got out of the way through his “lucidity,” which is “the aspect of his writing that is its most obvious and visible feature.”23 Turner characterizes it: “what humility is to the moral life, lucidity is to the intellectual—an openness to contestation, the refusal to hide behind the opacity of the obscure, a vulnerability to refutation to which one is open simply as a result of being clear enough to be seen, if wrong, to be wrong. We might well say, then, that Thomas was fearlessly clear, unafraid to be shown to be wrong.”24 Such lucidity is partly why Bauerschmidt praises the “particularly deep and austere sort” of beauty of Thomas’s theology.25 Mark Jordan’s question sums up the point nicely, and I’d like to pose it to Beattie in the context of her critique: “Is it really necessary to argue, in our cultural moment, that minimalism can be a complex and fully eloquent choice in style?”26
The arrangement of Thomas’s sources and their relation to his thought reads differently also. Beattie’s argument depends on distinguishing philosophical influences on Thomas, codifying them propositionally, and interpreting Thomas through them (89ff). She wants to interpret Thomas’s thought in order to “[purge it] of its contaminating Aristotelianism” and to scramble “the tidy logic of Thomas’s Aristotelianism” (362). She thereby assumes also that the sources retain their integrity after Thomas cites them. Bauerschmidt, alternatively, interprets Thomas’s Aristotelianism primarily as a “process of coming to clarity” about things experienced in the world rather than as discrete propositions or even a revised vocabulary.27 Jordan has made much of how Thomas arranges28 different authorities in order to draw his readers into a “school of comprehensive persuasion.”29 “It is not helpful,” Jordan argues, “to ask about Thomas’s relation to Aristotle in terms of ‘Aristotelianism,’ because to do so implies either the reduction of philosophy to ideology or the sublimating of philosophy into subsistent bodies of propositions. Thomas held neither view. Indeed, he rejected both.”30 On Jordan’s view, Thomas’s relationship to Aristotle is better left unsystematized: “the actual inheritance of Aristotle must be studied topic by topic, passage by passage, in works written for Thomas’s own voice.”31 But if Jordan is right and there is no “Aristotelianism,” can there be an identifiable Aristotelian God? Can the Summa be psychoanalyzed through Thomas’s influences?
The dialectical structure of Thomas’s arguments also reads differently this light. Thomas’s arrangement of sources combined with his rhetorical minimalism opens the Summa’s arguments; it is a “teaching without closure.”32 This interpretation thus resists the contrast between the conversational style of Catherine and the dialectical style of Thomas, and it draws attention to very different aspects of the form of Thomas’s pedagogy. Though Beattie acknowledges the Summa’s arrangement early on, I thought that the distinctive features of Thomas’s rhetoric were mostly erased in her interpretation of Thomas’s arguments. For Jordan, this can’t work. The Summa’s teaching makes no sense except as a “skeleton of typical authorities and arguments that must be filled in by classroom use.”33 This style, structure, and citation of authorities make it properly inclusive.34 Here the clarity, citation, and dialectic come together. Precisely because Thomas cites so much, he refuses a single universal language, not to signal a psychic drama or an irreducible theological contradiction, but to invite the reader to hear her own voice or the voices she has taken seriously.35 And if her voice is missing, the dialectical structure of objection and response leaves the text open to include that voice. In this way, the structure of the argument imitates the necessary incompleteness of theology. Rather than the “either/or” Beattie attributes to him, Thomas tends to respond to his intellectual opponents with a sic et non: he integrates them without absorbing them. It’s partly because Thomas was so successful at writing an incomplete text that opened itself up to new objections that Jordan argues the “police” have been so concerned to hijack, flatten, and disambiguate Thomas’s writing.36
On the basis of her estimation of Thomas’s influence on theological style, Beattie calls for an “altogether different theological idiom” than the one she associates with orthodoxy or the various contextual theologies that oppose orthodoxy on liberal terms. Presumably, this idiom is more like Catherine’s and maybe Beattie’s own. She indicates as much in her introduction: “my quest in what follows is not to explain and rationalize but to tremble and to wonder, to reopen the theological imagination to mysteries beyond its ken, and to kneel in awe before the majesty and mystery of creation and its creator” (12). But I found the style of Beattie’s prose obscure and even arcane. Combined with her frequently long and complex sentences, this often got in the way of following her point in ways I discuss below. The writing, often focused by Lacanian claims, tends toward ambiguity and paradoxical expression.37 Style and substance flow together: I thought that she rendered Thomas’s writing more complex and less coherent that a more straightforward reading might have. In the next few paragraphs, I’ll give two examples in which I think Beattie’s Lacanian reading pulled the Summa into a system that distorts its interpretation.
First, Beattie argues that when Thomas identifies God with “form itself” in the Summa, he is writing from his adherence to the Phallic Father God of the Greeks. He thereby contradicts his own deepest Christian inclinations. She cites a passage that identifies God with ipsa forma, form itself, or ipsum esse, being itself. By so identifying God, she says, Thomas implies that “the act of creation involves prime matter but not form, so that an eternity of form would be posited over and against the creation of matter ex nihilo” (319). I think it’s right to read Thomas to be saying that God and prime matter cannot be different but only diverse. Difference presupposes the possibility of accidental change, and neither divinity nor prime matter can undergo such change because the former is by definition pure act and the latter by definition pure potentiality.38
I thought that the moniker “the language of form” obscured the crucial distinction between created and uncreated forms and therefore between created essences and transcendentals. It then predisposes the argument to identify an androcentric claim about “being” as male or inseminating in the statement that God is forma ipsa. Beattie says that all forms have to be created: “God creates forms along with matter” and “neither forms nor matter actually exist for Thomas except insofar as they exist in composite beings” (319). Thomas can’t agree with this premise, in my view. If he did, God wouldn’t have a determinate nature. God’s nature would instead be a product of divine decision. In that case, Thomas would be a voluntarist like William Ockham, for whom the will/desire of God’s absolute power determines God’s intellect. For Thomas, God does have a determinate nature because God is being itself and being is identical to goodness, truth, and unity. The Trinity, then, is identical to the transcendentals, which can be called forms or eternal ideas (being, truth, goodness, and unity). Indeed, for Augustine, it’s precisely the Trinity’s identity with these transcendental forms and the corollary denial of composition that makes it possible to predicate trinitarian relations of divine essence.39 These forms, named and known differently but identical to one another in the order of being, are forma ipsa: the form of all forms by which all forms can form anything at all. Beattie, however, suggests identifying God with forma ipsa opposes God to created material things: “when theology attempts to conform God to form, a multitude of repressive, anti-body, dualistic hierarchies flow from the logic of that” (318).
Distinguishing transcendentals from created forms shows why I don’t think that identifying God with forma ipsa denies “any analogical likeness between God and prime matter,” except in the very strict sense that neither can have accidents and so cannot differ by degrees (209). Matter and created forms (which never subsist separately from one another) participate in God in the way that all created things do. They can therefore be predicated of God metaphorically but not according to proper analogy, which is reserved for the transcendentals.40 God’s identity with transcendentals, then, can’t oppose God to materiality or any part of creation. It means that God is nearer to every created reality than it is to itself. For unlike any other forms, transgeneric forms are (in the order of being) that in which every created reality participates, the fundamental way in which they are like their creator. As Rudi te Velde says, “‘being’ signifies reality in its uttermost concreteness.”41 On Thomas’s view, then, matter and God must subsist in fundamentally diverse ways in order to be united non-competitively.
I found Beattie’s argument about divine materiality perplexing partly because it built on the conflation of created and uncreated form.42 In addition, it equivocated the concepts of “composition” and “union.” For her argument, she cites ST 1.3.8, where Thomas denies that the divine essence is composite and therefore finite. She focuses on the third reply, which states that God and prime matter are diversa seipsis. Beattie supplies the translation of this technical phrase: “absolutely distinct” (321). She takes this to mean that Thomas implies that matter neither depends for its existence on God nor shares anything of the divine being and goodness. Because of this, Thomas’s argument, “it is impossible for God to enter into composition with anything in any way,” implies a contradiction in his thought. Either Thomas has to renounce the claim that God and matter are diversa seipsis and can’t enter into composition with one another, or he has to renounce both doctrine of creation out of nothing and his Christology. On the one hand, Beattie argues that Thomas has to deny creation ex nihilo if God and matter are absolutely distinct. For then prime matter wouldn’t participate in God’s being “as the condition of its existence,” nor is “the being of prime matter is fundamentally and ontologically different from the being of God.” Thomas would therefore have “subtly reinscribed the eternity of matter within Christian theology” (321).43 On the other hand, she argues, “if there is no matter in God, then Thomas becomes a docetist” (322). She thinks that Thomas’s Greek categories prevented him from recognizing this contradiction.
I think that another way of reading the passage is simpler and more easily fits the structure of Thomas’s thought. When applied to the God-creature relation, diversa seipsis can’t mean “absolutely distinct” in a way that precludes creatures from participating in God. It’s hard to imagine that Thomas would have been so careless that he would undermine the whole of his thought about his creation and Christology in order to reinsert this sort of dualism. A more natural reading on my view is that matter and God are “intrinsically diverse” or “diverse in and of themselves” in the way that God and all creatures are intrinsically diverse: the distinction between Creator and creatures.44 Intrinsic diversity implies one thing among Trinitarian members and another between God and creatures.45 Here I take Thomas to be saying that God qua simple divinity by definition cannot enter into composition with matter. He is not thereby denying that God and matter are diverse in a way that would prevent God from entering into union with a material creature.
The incarnation, according to Thomas’s Chalcedonian Christology, is precisely such a “union” of human nature, a body-soul composition, with the Word. The union preserves the distinctness of the humanity and the preeminence of the divinity.46 God by definition must already be nearer to matter than it is to itself as God constantly upholds and funds its existence. As Kathryn Tanner has persuasively argued, the intrinsic diversity of creation and God is what makes noncompetitive relation between them possible.47 Further, that God qua divine nature cannot enter into composition with matter is what makes it possible for God to enter into union with the human nature of Jesus.48 The person of the Word can assume the humanity of Jesus only because the Eternal Word isn’t and can’t be a composite being. The intrinsic diversity between God and creation serves as the basis for their intimate union.49 For Thomas, there is matter in God through Jesus only in the sense that the Word’s intimacy with the humanity of Jesus is so intense that it is rightly called a union. Here the Lacanian language that “God withdraws from creation and allows lack to enter being” can only distort creation and Christology. It only makes sense if Thomas’s arguments in 1.3 are wrong and if the boundaries that form all creatures require either God’s absence or composition with creation (317).
My confusion about Beattie’s argument stems from specific places where she writes about composition and union in ways I cannot parse. For example, she asserts that human flesh is deified “inasmuch as it becomes the flesh of the Word of God, but not that it becomes God,” which relies on logic like Tanner’s that denies composition or materiality of God (322). But then she seems to efface the distinction, arguing against Thomas in 1.3.8 that: “the incarnation is a union of two natures in the one person of Christ, but it is, insists Thomas, a real union of body and soul” (322). I’m not sure how she is using “union” in that crucial sentence. Nor can I tell what “it” is. Is the union of Christ’s humanity and divinity a union of body and soul? Or is the one person of Christ? Or the human nature of Christ? Or does Beattie think that Jesus is a composition of God and humanity such that divinity is to humanity as soul is to body? I think that Thomas’s position is that the incarnation is a union of two natures in the one person of Christ, whose humanity is composed of a soul-formed body. The union of divinity and humanity is a union of Word and human nature, and in that way unlike a composite. So I can’t see how Beattie’s conclusion, that “in the person of Christ, there is matter in God,” is actually a rebuttal of Thomas’s claim in 1.3.8. Either it rests on equivocating composition and union, or it isn’t a refutation at all, or I do not understand it. Because I think that Thomas can affirm Beattie’s claim about God’s intimacy with materiality on the one hand and Thomas’s claim about form and diversity without contradiction on the other, it’s hard not to think that pressing Thomas into Lacanian thought here makes it more difficult to read him.
One final point about the writing. Beattie claims in the introduction that she makes “no direct appeal to women’s experience” (6). Yet the book seems filled with less direct but axiomatic appeals to certain sort of experiences or states of consciousness or psychological dispositions of her readers or those with whom she disagrees. For example, she appeals to a common “consciousness awakened by both feminist and psychoanalytic insights” in order to invoke the importance of the “fundamental question” about Thomas on God’s relation to form (320). Why rest on an exclusive shared consciousness rather than an inviting, sharable argument? She sometimes dismisses her interlocutors or their claims based on claims about their personal or scholarly identity, psychology, or shared experiences. So she approvingly cites the claim that Richard Kearny “is not theologian enough to hermeneutically engage the Christian tradition from within, in its complexity as well as its integrity” (336). Despite her frequent appeal to Žižek’s interpretation of Lacan in preceding pages, she says that it is “a mistake to rely on Žižek as a reliable reader of Lacan, if only because Žižek is a flamboyant atheist narcissist who makes a cult out of misanthropy” and Lacan was dispositionally and intellectually different. She says that Gilles Emery’s reading of Thomas is not merely incorrect, but culpable: Emery (among others) displays an “obtuse obstinacy” that calls for an “excuse.” The absence of this excuse leads “feminist theologians to throw up their hands in despair” (347, 349). The postmodern and existentialist readers of Thomas display a similarly “obtuse resistance to addressing the questions of his maternal Trinity” in a way that would highlight its serious implications (343). A responder can only hope not to be similarly labeled!
Stories of Modernity
A sizable chunk of the book is intellectual history. Broadly, the quasi-causal history supports the central conceptual argument: the introduction of Aristotelian “nature” introduced the division between the two Gods and two materialities. She traces the significance of the introduction of Aristotle through the universities, Luther, Pascal, Copernicus, Kant, the Marquis de Sade, and Lacan. Because it focused on secondary engagements with different figures, I mostly read the intellectual history as Beattie’s effort to flesh out Lacan’s story. She sometimes distinguishes when she is following Lacan’s narrative, and so I could not tell when her silence about that meant that she speaking for her own interpretation.50 Either way, I didn’t find the Lacanian causal narrative about modernity convincing as it stood, mostly because I do not think it gives much more than a vague sense of influence. It usually didn’t specify precise causal relationships between ideas and influences. Thomas’s thought “paves the way” or becomes “the basis of” a later development. The narrative focuses on “big men” like Luther, Pascal, Kant, and Freud, and on a Lacanian reading, their contributions and thought patterns seems to intensify the problem that Thomas unwittingly inaugurated. For this reason, I thought it overly schematic. Additionally, the history after Thomas mostly ignored the social and historical context of the writings it examines. For figures like Luther and Pascal, it relies mostly on secondary sources. I’ll respond to her reading of Luther and Kant because I had difficulties with them and they are central to her narrative.
I found Beattie’s reading of Luther—which relies mostly on Charles Taylor’s A Secular Age—a particularly problematic instance of the way the history was narrative. On her account, Luther evacuated creation of grace: “no longer does God’s grace shimmer within the materiality of the world. Rather, God “withdraws from nature and matter” such that “the human ceases to be a natural animal” (172). “Nature and the body are . . . the filth that is excreted from the graced Word (Luther)” (231). Luther’s theology of the cross further prevented him from having a robust view of the incarnation: “had Luther exalted Christ as God incarnate, flesh of Mary, over the decadent power of the late medieval church, rather than Christ as crucified Word of God, the story might have been altogether different.” I couldn’t find any direct citations of Luther’s writing, and so I don’t know exactly what she’s relying on from Luther. But even if Luther spoke in ways that resembled the positions Beattie attributes to him, I don’t think it’s a helpful way to characterize him. I can’t see how this Luther resembles the author of the Small and Large Catechisms or the Lectures on Genesis, in which creation’s order is a gift and everywhere evidences God’s providential care. Nor can it account for Luther’s affirmative account of the goodness of sex and marriage as a part of his broader account of the orders of creation.
Second, the account of Luther’s view of human agency and responsibility before God directly contradict his debate with Erasmus, one of the most important debates in Luther’s career. Beattie claims that Catherine of Siena anticipated Luther because she rejected predestination and “emphasized human capacity to accept the mercy of God, and it makes that mercy absolutely unconditional but not enforced” (382). But Luther was, if anything, more theologically determinist than Aquinas. Luther emphasized predestination, and he thought that faith had to be a gift precisely because humans lack the capacity to accept divine mercy.51 Beattie portrays a “Lutheran theology of grace” as “altogether different from that of Thomas” (232).52 Though they are importantly different in some ways, both follow Augustine, and so it is unclear exactly how they are altogether different. Beattie presents no evidence for how or why this claim is true.
I also had a difficult time seeing how Lacan’s Kant bears much resemblance to the Kant I’ve read. Some things that are debatable are presented as definitive: the “empty formalism of the universal maxim” (222). Others seemed false but arguable: “Kantian ethics must eliminate the bodily desiring self” and issue in a “total destruction of the self in order to be free to perform my duty towards my neighbour” (221). Others seemed unsustainable in any way: “Sado-masochism becomes the ethical imperative that underwrites the Kantian moral code” (233) or “one might rationally take as one’s law giver, not the good will but the evil will” (224). “In Kant, the evil will associated with this bestial materiality is entirely opposed to the good will associated with God and the noumenal and must be destroyed” (265).53 At the very least, I’d have appreciated if the initial hesitation about interpreting Kant’s texts were sustained throughout, especially because as the narrative progressed, broad interpretations like this, based on minimal textual engagement, became interpretive axioms. They piled on one another to produce a more comprehensive set of conclusions and cultural analyses, and that made the book’s argument less convincing.
Contemporary Catholic Thought
It should be clear now why reading this book was an odd experience for me. On the one hand, I agree with Beattie that much official Catholic reasoning employs uncritical accounts of gender. Magisterial and other “official” voices do not adequately justify those accounts theologically. Instead, they borrow from other ideological frameworks and absorb those ideologies into Christian discourse in ways that undermine some of their own most liberating insights. The institutional setting in which those frameworks are discussed54 mostly excludes women’s bodies, hides queer bodies, and has used discipline as a tool of conformity rather than the basis for unity. The problematic and, for many, devastating non-doctrinal assumptions about gender (and, implicitly, nature) are then employed to justify the exclusion of women from church offices, to investigate women religious, to issue prohibitions on dissenting or women’s critical voices, and to shut questions and inquiries that might call these matters into question. Church teachings on gender, sex, and nature fluctuate all the time, for the absorbed assumptions change with the times. With the fluctuations, the accepted practices change, too. But some conclusions, no matter how much arguments and assumptions fluctuate, must be regarded as timeless and unchanging. Definitions of the “sin against nature” may and have changed,55 but the conclusions, which float free of the arguments used to support them, abide unchangingly.56 Even more maddening: the “nuptial theology” movement (non-ironically) proposes complete shifts in central Christian doctrines like the creation of human beings in the image of God. They directly contradict Augustine and Aquinas’s definitive and persuasive arguments, and they do not provide arguments against the previous consensus. It seems, however, that since they sustain some of the “traditional” conclusions about sex, no one calls them to account for their massive revision.57 Yet those who propose more traditional arguments that ask the church to consider alternative conclusions or rethink that meaning of the same conclusions are often silenced. I could go on about how I understand the resulting double standards and pastoral problems of the ecclesial and clerical cultures.
On the other hand, I disagreed with Beattie’s arguments in favor of many of the conclusions that I think we share. This book has not convinced me that Lacan is a particularly helpful interpreter of Thomas. Indeed, I think that his language is confusing and his framework ends up distorting Thomas’s thought. I do not have an especially large stake in reading Thomas for his historical-critical value. I am not a Thomist, nor do I think (as some seem to) that demonstrating that Thomas argued something sufficies for a demonstration of its truth. I’ve engaged Thomas in my own work mostly because I think he’s a brilliant and always useful interlocutor. Reading through the Secunda Pars, for example, helps me to see the world differently as Thomas teaches me to re-name and more fully own my acts and the phenomenon of my acting. Like Jordan, I have found that the Summa keeps opening itself up to new questions, new perspectives, and different engagements.
Even more, I think that Beattie is right to see androcentrism deep in Thomas’s thought, but I think a Lacanian reading misidentifies the androcentrism, its sources, and its effects. While I find certain understandings of nature and natural law within certain sorts of Thomism damaging, I mostly think Thomas avoids an overly reified Aristotelian conception of nature and actually proposes a nice way of thinking about it.58 I think that Thomas’s account of God, while perhaps frayed around the edges,59 is far more coherent than Beattie suggests.60 Further, while Thomas makes claims based on certain of Aristotle’s claims about biology, I don’t read the whole of Thomas’s thought through the biology, since I think that the vast majority of Thomas’s thought can be reinterpreted and can stand without it. As I understood it, the Lacanian reading Thomas’s writing (his use of “form,” his psychic “hesitation”) did not so much interpret Thomas as absorb him into an alternate system. For the reading depends on positing a fundamental contradiction at the heart of Thomas’s thought and all his texts. I wonder if Lacan served as too universal and deductive an authority, leading the argument to interpretive isomorphism. In this way, the breadth of the argument ends up undermining the more modest but powerful criticisms that are both possible and necessary.
Tina Beattie, Theology After Postmodernity: Divining the Void—A Lacanian Reading of Thomas Aquinas (Oxford, UK: Oxford University Press, 2013).↩
Beattie variously refers him to as “prime mover,” “impersonal and disembodied Supreme Being of Aristotelian philosophy,” “final cause,” or the “transcendent, metaphysical One” of Greek philosophy and modern onto-theology.↩
For a similar albeit less evaluative distinction in writing styles, see Maritain’s account of Thomas’s relation to Augustine in Jacques Maritain, The Degrees of Knowledge, trans. Gerald B Phelan (Notre Dame, Ind.: University of Notre Dame Press, 1998), 311.↩
This style further “delegates imagination or intuition to in inferior and indeed dubious role in the construction of knowledge” (153).↩
“The guiding hand of Aristotle steers him towards pragmatic common sense and reasoned optimism throughout his work, even though at times this tends towards a more mystical and affective trinitarian theology at one end of the spectrum, and a more disembodied platonic dualism at the other.”↩
She’s quoting Walter Rüegg, A History of the University in Europe, vol. 1 (Cambridge, UK: Cambridge University Press, 1992), 22–23.↩
“The contemplative ideal spills over into the idea of the university, which creates a sense of separation between the male scholarly community with its abstract intellectual pursuits and the social body with its needs and demands” (149–50). The corollary of the drama of the two Gods vying for dominance in Thomas’s psyche is a claim about two competing accounts of materiality: he uses Aristotle to develop his hylomorphism, but Greek thought also produced his dualism. “Certainly, Thomas promoted in sometimes highly dualistic ways the dominance of spirit over matter, but in the end he did more than any other theologian in the Catholic tradition to affirm the essential inseparability of matter and spirit” (258).↩
Pierre Hadot, Philosophy as a Way of Life: Spiritual Exercises from Socrates to Foucault, ed. Arnold I. Davidson, trans. Michael Chase (Malden, MA: Blackwell, 1995).↩
The desire for this sort of mystical and solitary encounter with God is “masculine” on Beattie’s account because it is “the inevitable corollary of a sexual ideology that identifies man with mind and woman with body.” This ideology “has infected Christian theology from the beginning” (137).↩
“Thomas is drawn to a disembodied encounter with a disembodied God,” and so that is why Thomas thinks there can “ultimately…be some conflict between love of neighbor and love of God” (383).↩
This argument forms a central support for Beattie’s future claims about the irreducible sexism of Thomas’s Greek metaphysics, for her interpretations of Thomas’s inner struggle, and for his effect on western modernity and contemporary catholic thought.↩
I didn’t completely understand how this fit with the earlier claim that Aristotle enabled Thomas to introduce into Christian theology a “more thoroughgoing materialism” nor the later claim, “Thomas is neither a dualist nor a monist” (323).↩
Leonard E. Boyle, Facing History: A Different Thomas Aquinas (Louvain-La-Neuve: Federation Internionale des Instituts d’Etudes Médiévales, 2000).↩
Denys Turner, Thomas Aquinas: A Portrait (New Haven, CT: Yale University Press, 2013), 32. Beattie engages more sources than just the Summa, but she gives it special importance (48-49) and engages it most.↩
Ibid., 25. See also Mark D. Jordan, Rewritten Theology: Aquinas after His Readers (Malden, MA: Blackwell Publishers, 2006), 7ff. “Thomas wrote his Summa of Theology as an ideal of curricular reform, that is, for the teaching of his own religious order, and by extension for other Christian priests and religious. The chief accomplishment of the reform is to incorporate moral and pastoral topics within the pattern of the great Christian creeds” (7). The Summa, Jordan suggests, ought to be read like a workbook or lab manual. It “may consist more of a carefully ordered series of instructions or directions than of an accomplished set of propositions. Certainly it offers its most important principles almost tacitly, by quiet habituation rather than by loud assertion” (10).↩
Turner, Thomas Aquinas, 14.↩
Ibid., 6.↩
Frederick Christian Bauerschmidt, Thomas Aquinas: Faith, Reason, and Following Christ. ([S.l.]: Oxford University Press, 2013), 80, cf. 14ff.↩
Turner, Thomas Aquinas, 32. My colleague Chris Franks has given an account of Thomas’s economic teachings and formation in relation to his theology in Christopher A. Franks, He Became Poor: The Poverty of Christ and Aquinas’s Economic Teachings (Grand Rapids, MI: William B. Eerdmans Publishing Company, 2009).↩
Bauerschmidt, Thomas Aquinas, chap. 1–2.↩
Sarah Coakley has argued for a feminist reading of contemplation that resists Beattie’s characterization of it in Sarah Coakley, Powers and Submissions (Malden, MA: Wiley-Blackwell, 2007); Sarah Coakley, God Sexuality and the Self: An Essay “On the Trinity” (New York, NY: Cambridge University Press, 2013).↩
I’ve learned to think this way especially from Herbert McCabe, a Wittgensteinian Thomist whose thought about Thomas on language has deeply influenced my views. See Herbert McCabe, “Sense and Sensibility,” in God Still Matters, ed. Brian Davies (New York, NY: Continuum, 2002), 139–51; Herbert McCabe, “Teaching Morals,” in God Still Matters, ed. Brian Davies (New York, NY: Continuum, 2002), 187–98; Herbert McCabe, Law, Love and Language (New York, NY: Continuum, 2003).↩
Turner, Thomas Aquinas, 36.↩
Ibid., 39. I’ve read at least three places where Denys Turner has written, and I’ve heard him repeat it in person more than that. The other places are Herbert McCabe, Faith within Reason, ed. Brian Davies (New York, NY: Continuum, 2007), vii; Denys Turner, Faith, Reason, and the Existence of God (New York, NY: Cambridge University Press, 2004), 102.↩
Bauerschmidt, Thomas Aquinas, 167.↩
Jordan, Rewritten Theology, 185 n47.↩
Bauerschmidt, Thomas Aquinas, 111. Jordan argues that the idea that Thomas had a “philosophical theology” is also anachronistic and reductionist, noting that Thomas never applies “philosopher” to a Christian, because for him philosophical schools are “conditions of wisdom under paganism” and philosophy is a “habit of knowing applied to an educated Christian believer.” See also Bauerschmidt’s account of the use of Aristotle in God language ibid., 101–107. In my view, Rudi te Velde demonstrates quite elegantly the deep coherence of Thomas’s thought on God. See Rudi A. te Velde, Aquinas on God: The “Divine Science” of the Summa Theologiae (Burlington, VT: Ashgate, 2006); Norris Clarke, The One and the Many: A Contemporary Thomistic Metaphysics (Notre Dame, IN: University of Notre Dame Press, 2001).↩
“Almost every text in Thomas enacts an arrangement of pertinent authorities. He disposes them in constellations. His texts cannot be well understood without noticing the interpretations, valuations, and omissions in these constellations,” Jordan, Rewritten Theology, 64.↩
Ibid., 31.↩
Ibid., 63.↩
Ibid., 76. See the lovely reading of Thomas’s use of Aristotle Jordan offers on pp. 77–88. He concludes: “For Thomas, Aristotle is not a unique or perennial authority. Aristotle is a pagan author whose texts can be brought into helpful constellation with other authorities. Thomas does not regard Aristotle as a block of doctrine to be carried in whole. He treats Aristotle instead as the teacher behind a set of pedagogical texts. The unity of the teaching is just the dialectical congruence that thoughtful reading can perform.”↩
Ibid., 185.↩
Ibid., 184.↩
Ibid. “Thomas writes disputation not just because his present puts new questions to the inherited texts, but because the inherited texts pose questions about their meanings to any (medieval or modern) reader. A reader glimpses Thomas’s practice of esoteric writing in the pedagogical sequence of any article or any large compositional structure.”↩
Ibid., 31. “He takes a multiplicity of theological languages as inevitable given human diversity and human history. He takes the multiplicity as desirable given the weakness of human understanding and the consequent poverty of speech.” See also ibid., 28. “Thomas takes up reinterpreted authorities into new patterns of theological persuasion.”↩
Jordan, Rewritten Theology, 15.↩
The following sentence, for example, mixes four metaphors: “In Lacanian terms, it means that the desiring and suffering body must replace the phallus as the umbilical cord that connects meaning to truth, not now as the bar that prohibits desire, but as the narrow path that leads through and beyond the incarnate body of Christ to the delight of being in God” (355). Similarly, I wasn’t quite sure how to understand the interesting paradoxical claim in the following section: “It is not that there is nothing but that there is everything, around us and within us, swirling and screeching, swarming and howling, whispering and shouting, singing and dancing, pulsing and throbbing, dazzling and sparking. Touch, taste, see, hear, feel, smell, breathe. There is no emptiness anywhere, there is nothing but being, nothing, nothing, nothing but being. It surges and swirls and sweeps around us and within us. It is the wisdom of God, at play within the body of the world from before the beginning of time” (399). Since there can’t be a “body” of the world before the beginning of time on the terms that were set, I’m not quite sure how the paradoxical claim works. Is it merely supposed to evoke? Perhaps to lure a reader like me away from rationality? To evoke wonder?↩
I’ve found Brian Shanley’s commentary useful on this matter. See Thomas Aquinas, The Treatise on the Divine Nature: Summa Theologiae I, 1-13, trans. Brian J. Shanley (Indianapolis, IN: Hackett Publishing Company, 2006), 217–18.↩
Here I think Thomas follows Augustine’s use of divine simplicity to make sense of the Trinity. See Lewis Ayres, “The Fundamental Grammar of Augustine’s Trinitarian Theology,” in Augustine and His Critics Essays in Honour of Gerald Bonner, ed. Gerald Bonner, Robert Dodaro, and George Lawless (New York, NY: Routledge, 2000), 51–76.↩
Velde, Aquinas on God, chap. 3–4.↩
Ibid., 115.↩
Beattie argues that undoing the “rationalizing grips” of “Aristotelianism” will “persuade” philosophy to “relinquish its totalizing grip on the theological imagination.” She then almost immediately adopts the language from Greek concepts of being when she says “we do not in any sense control, affect, or alter God” (327). I didn’t understand how she held the two together.↩
Another confusing ambiguity of language was in her portrayal of the doctrine of creation: the distinction between temporal beginning and logical relationships of dependence, and the distinction between eternity of the divine simplicity and the beginningless and endless temporality of everlasting time. (I first learned this useful stipulative distinction between everlasting and eternal from Gregory E. Ganssle and David M. Woodruff, eds., God and Time: Essays on the Divine Nature (New York, NY: Oxford University Press, 2002).) Beattie seems to posit that the doctrine of creation out of nothing requires that the world have a temporal beginning (362, 321). Thomas affirms, of course, that the world had a temporal beginning as a matter of faith. But he denied that the doctrine of creation out of nothing ruled out that matter existed everlastingly. In 1.46.1, especially in the first reply, Thomas argues that while it’s provable that God is the efficient cause of the world, it’s not provable that that means that the world has a beginning. It necessarily follows from this affirmation that the doctrine of creation ex nihilo is consistent with the world having always existed. If creation ex nihilo necessarily implied that the world temporally began, proving that God created the world out of nothing would be sufficient to prove that the world had a temporal beginning.↩
Freddoso’s translation. Thomas also uses this phrase to indicate something more like Beattie’s reading in his trinitarian discourse, but the question here that I pursue, what does it mean for God and creatures to be diverse in and of themselves doesn’t exclude participation the way that the trinitarian distinctions do. On the “distinction,” see also Robert Sokolowski, The God of Faith and Reason: Foundations of Christian Theology (Washington, D.C.: Catholic University of America Press, 1995).↩
Augustine makes a similar distinction in trin., 6.6.9.↩
The account of the relationship between nature and grace contained a similar ambiguity, this time equivocating Thomistic concepts of grace, gratuity, and creation. I like Marilyn Adams’s definition of nature as a “power-pack.” If nature names the capacities a creature is capable of without an added help, then grace always implies a superadded gift. A creature’s nature by definition would exclude grace or the supernatural precisely because grace implies that God adds something extra. So for Thomas, grace always relates to nature as supernatural relates to natural. If “the world is inherently graced with a natural capacity for goodness” (45), then “natural” must mean “created,” not the technical definition of natural. But the claim that human creatures were created graced or that creation is intrinsically graced isn’t the same thing as saying that they’re naturally graced or that nature is intrinsically graced. Similarly, if “natural human knowledge is already graced, because it is a form of participation in God” (52), then is all participation in God grace? My point here has to do with the writing’s lack of transparency.↩
Kathryn Tanner, God and Creation in Christian Theology: Tyranny or Empowerment (New York, NY: Oxford University Press, 1988).↩
Herbert McCabe, OP, “God,” New Blackfriars 82, no. 968 (October 1, 2001): 413–21.↩
Kathryn Tanner, Jesus Humanity and the Trinity (Minneapolis, MN: Fortress Press, 2001), 10–16. Cf. Kathryn Tanner, Christ the Key (New York, NY: Cambridge University Press, 2010), chap. 1–3.↩
For example, she claims that her reading of Kant is the “view of Kant as seen through a Lacanian lens, and it makes no claim to approach Kant’s work independently of that rather idiosyncratic perspective” (192).↩
Martin Luther, “On the Bondage of the Will,” in Luther’s Works, ed. Jaroslav Pelikan, Hilton C Oswald, and Helmut T Lehmann (Saint Louis, MO; Philadelphia, PA: Concordia Publishing House; Fortress Press, 1955).↩
See Otto Hermann Pesch, Theologie Der Rechtfertigung Bei Martin Luther Und Thomas Von Aquin. Versuch Eines Systematisch-Theologischen Dialogs. (Mainz: Matthias-Grünewald-Verlag, 1967).↩
I’ve been influenced by the history John Hare narrates from Aristotle through Scotus to Luther and Kant. Hare’s judgments almost entirely contradict Beattie’s. John E. Hare, God and Morality: A Philosophical History (Malden, MA: Blackwell Publishers, 2007).↩
Mark D. Jordan, The Silence of Sodom: Homosexuality in Modern Catholicism (Chicago, IL: University of Chicago Press, 2000).↩
Mark D. Jordan, The Ethics of Sex (Malden, MA: Wiley-Blackwell, 2002).↩
Mark D Jordan, The Invention of Sodomy in Christian Theology (Chicago, IL: University of Chicago Press, 1997).↩
Gerard Loughlin, “Nuptial Mysteries,” in Faithful Reading: New Essays in Theology and Philosophy in Honour of Fergus Kerr, OP, ed. Simon Oliver, Karen Kilby, and Thomas O’Loughlin, 2012, 172–92.↩
Sean Larsen, “Natural Law and the ‘Sin against Nature,’” Journal of Religious Ethics, forthcoming; Sean Larsen, “The Politics of Desire: Two Readings of Henri de Lubac on Nature and Grace,” Modern Theology 29, no. 3 (2013): 279–310. For an articulation of Thomas on nature I find especially congenial, see Eugene F. Rogers, “How God Moves Creatures: For and Against Natural Law,” in Aquinas on the Supreme Court: Gender, Ethnicity, and Failure of Natural Law in Thomas’s Biblical Commentaries, 2013.↩
For example, I don’t find Thomas’s account of divine foreknowledge of future contingents convincing.↩
Velde, Aquinas on God.↩
1.7.15 |
Response
This Body of Death
AT THE HEART OF Theology after Postmodernity is the claim that in the work of Thomas Aquinas we find both one of Christian theology’s most powerful affirmations of human embodiment and also the disastrous conjunction of the world-denying Platonism already coursing through theology’s veins with the gendered cosmology of Aristotelianism, resulting in a series of tensions whose gradual disintegration eventually gave birth to the violence of modernity, which is characterised as much by its hatred of the body as by its fundamental yet disavowed patriarchal ontology. For Thomas, to be human is precisely to be embodied intellect. Humans are distinguished from animals by their intellect and from angels by their bodies; in all of creation it is only humans, according to Thomas, who are rational beings, that is, characterised by a form of thought that is utterly dependent on embodiment. And yet the ontological hierarchy which Thomas inherits from his Christian-Platonic heritage brings with it both a sense that to become more like God is to climb up the great chain of being—to become less like the other animals and more like the angels—and also a troubling association of matter with evil, because both are characterised by lack, by the fact that their participation in God is lesser than that of intellect and goodness. Whilst in some ways Thomas’s Aristotelianism functions as a corrective to this damaging legacy, the explicitly gendered hierarchy of active, masculine form and passive, feminine matter sets up a deeply patriarchal ontology which continues to shape Western culture long after Thomas’s theological commitments have largely been rejected. All in all, Beattie argues: “In his theological reshaping of Aristotle, Thomas introduces into Christian thought a more thorough-going materialism than was the case before . . . but he also occupies a pivotal moment when the relationship between nature and grace, body and spirit, perhaps attained its greatest equilibrium in Christian thought, even as it contained the seeds of its own undoing” (50).
Theology after Postmodernity sets out neither to destroy Thomism, nor to absolve Thomas of responsibility either for the misogyny of the tradition to which his work gives birth or for the collapse of Christendom which issued in part from the unravelling of his fragile knitting together of Christianity, Platonism, and Aristotelianism. Instead, Beattie seeks to discover how Catholic theology might “provide an effective response to the challenges posed by feminism on the one hand and the environmental crisis on the other, not by breaking with the greatest thinkers of its own tradition, but by bringing them to a greater fullness than they themselves were able to achieve” (123). The solution she proposes is to “ask what it might mean for theology to develop a different Thomism, not now in terms of Greek philosophy but in terms of the maternal, relational and incarnate love of God materialized in creation.” In this task, Lacan is both the catalyst for the liberation of a more incarnational theology from Thomism’s repressed unconsciousness and the exemplar of the “postmodern nihilism” from which this theology offers redemption (10). It is possible, Beattie argues, to be a Thomist Catholic and yet to affirm the presence of grace in, and not despite, our embodiment.
The rejection of classical theology’s revulsion for embodiment with all the slimy, sexual, feminised, and passive associations it has come to bear has been a common theme of much recent feminist theology. And yet, as Beattie makes clear, Christian theology has never straightforwardly affirmed the body. The deep tension between the affirmation of the material world implicit in the doctrines of creation, incarnation and the resurrection of the body, and the tendency to see progress towards God or redemption as in some sense an escape from embodiment did not begin with Thomas any more than it ended with him. For Augustine, the created and material world is simultaneously that which declares the glory of God to humankind, crying out in a great voice, “He made us,” and also the source of such potent temptation to sin that even delightful smells are not to be trusted, and food ought to be eaten as though it were medicine lest its “dangerous pleasantness” prove overwhelming.1 St Paul says that the whole of creation “has been groaning in labour pains,” awaiting its liberation into “the freedom of the glory of the children of God . . . the redemption of our bodies” (Romans 8:21–23), and yet in almost the same breath figures this liberation precisely as escape from the material world: “Who will rescue me from this body of death?” (Romans 7:24).
Even Jesus’ transgressions of the purity codes which Beattie associates with “a sense of loss and pollution associated with the maternal body” (237) are not straightforwardly affirmative of bodies marked as impure by their association with fluidity, imperfection, and death. When Jesus dries up the flow of blood which renders a bleeding woman impure, when he restores sight to the blind man, when he raises Lazarus from the dead, these acts simultaneously affirm the importance of the body and refuse to simply accept “the messy, smelly, fatty, leaky, bloody, sweaty, excreting, menstruating, birthing, shitting, dying stuff of which we are made” (270). Beattie knows how deep this ambiguity goes, acknowledging that the desire for “a disembodied mind” has “infected Christian theology from the beginning” (137), that Christianity “has never been able to resist the temptation to insist that . . . there is a God over and beyond the human condition” (234).
And yet this, surely, begs the question: if suspicion of the body, and a desire to overcome the limitations of material existence are as old as Christianity itself, ought a theology which seeks (however critically) to be faithful to tradition to simply reject this contradiction? Is it in fact possible to imagine a Christianity without hostility to the body; more seriously, should we want to? Or might there, rather, be something in this very contradiction inherent in the simultaneous affirmation and rejection of embodiment and all that goes with it which might itself be taken up and reworked for our post-postmodern age? Can we think a feminist theological rejection of the body?
For much of classical theology, both creation and fall result from lack. The material world exists as separate from God insofar as it lacks the fullness of being and perfection which belongs to God; it is partial, whereas God is complete. Yet sin, too, is understood as a falling away from the perfection and plenitude of God. If creation is an ordered emanation, a hierarchical descent away from full participation in God, then sin is often figured simply as a rapid and uncontrolled fall down this same hierarchy of being. In Thomas, as Beattie points out, this means that it sometimes far from clear what there is “to distinguish the demonic from prime matter” (238). Beattie’s solution is to refigure this association of lack with creation and plenitude with God such that the problem is not lack as such but the human refusal to accept lack as the condition of embodied and created existence. To sin is precisely for creatures to refuse the limits which make possible their very being and to desire instead the fullness and completion which belong to God alone. What results, however, risks becoming a curious mirror image of the problems which Beattie identifies in Thomas work: not the misogynistic equation of finitude and embodiment with sinfulness, but the feminist affirmation of every aspect of human embodiment with created goodness.
The affirmation of the resurrection of the body is not straightforwardly the affirmation of embodiment which Beattie sometimes seems to take it to be. The original narrative of creation in Genesis, which affirms the material world in all its diversity as good, cannot be read apart from the story of the fall, which follows immediately after, in which the consequences of human sin are written upon the body. The human rejection of God is made flesh in the suffering of childbirth and the drudgery of the bodily labour which becomes the necessary condition of human bodily survival. The goodness and grace of God are made flesh in creation, but so too is human fallenness, and the strangeness of theological attempts to imagine the condition of the human body both in Eden and in paradise are testament in part to the near-impossibility of imagining embodiment apart from the distortions of sin. We cannot but be formed in our relationship to our bodies by a society that sees the bodies of women as objects to be possessed, which sees the bodies of black people as legitimate targets of violence. To long for liberation from these bodies, to long to be free of the physical necessities imposed by a society which is not built for the survival of bodies like mine is not the same thing as the longing for liberation from the burdensome necessities of eating and cleaning and tending to the needs of others which characterises the body-hatred of privileged white western men.
Human life has always been characterised by the struggle both with and against our bodies. In Genesis, to be human (adam) is to be formed from the ground (adamah), and to be created precisely to work to transform the earth which is at the same time our bodies, ourselves. This work is perhaps always ambiguous: there is a thin line between the technological quest for mastery which sees the body and its limitations as enemies to be conquered, and the search for technological solutions which arises from the desire for liberation from the body’s fallenness in order to enable a richer celebration of all that is good in embodied life. Is the desire of so many male philosophers to be free to spend their time in study and contemplation a problem in itself, or simply because of their willingness for others’ bodies to pay the price of their liberation in domestic drudgery and servitude? Is it wrong for feminists to view the washing machine and the vacuum cleaner as tools of our emancipation because we fail to realise that to love our bodies means to embrace the work of maintaining them, or does the mistake lie in the failure to recognise that our leisure will be no more equitably distributed than our labour? Angela Davis tells the story of a visit to Cuba in which she assisted in a great national campaign to increase sugar cane production. She went out to the fields to assist with the harvest:
One day I remarked to a Cuban how much I admired his skill in cutting cane—it was almost like an art, the way he did it. He thanked me for the compliment, but quickly added that his skill was a skill that need to become obsolete. Cane-cutting was inhuman toil, he said.2
The contemporary longing for un-alienated labour, which is visible in the recent valorisation of the artisanal, the “natural,” and even (heaven help us) the paleolithic, is at risk of denying the body precisely by forgetting why it is that so many people have been eager to escape it.
It is interesting that Beattie recognises that, “in the medieval imagination, the soul loves the body even if it disciplined it in sometimes violent and punitive ways” and yet suggests that “today’s self-mutilating girls and women are motivated only by the consuming and consumerist male gaze and the demands it makes upon them to become other than the bodies that they are” (393). Bodily modification can be a mark of the violence that society works upon our bodies but it can also be an act of reclamation or creativity; sometimes, perhaps most often, it is both. This world is not just incomplete without God but also formed by systems and structures which oppress and subject certain sorts of bodies which it is unable to recognise as sources of grace. To love our bodies, to love ourselves in this context is always to engage in a complex process of negotiation in which it is often far from clear where the boundary lies between the limitations by which the good, graced, material world is constituted and the limitations which are the consequence of an unjust, fallen world, longing to be transformed.
Beattie worries, above all, about the violence which ensues from the desire for completeness. “If we are to love without conquest, violence, or consumption, we must accept that there is no plenitude, for to be human is to lack, to desire, and to imagine as well as to know—that is what human reality is” (296). If we are unable to purge from Christian theology the “declaration of war on the body,” people “will continue to slaughter one another in the name of their ideals, their ideas, their gods” (341). But to invoke the fear of violence as a caution against political action is itself a dangerous tactic. The existing order of things always works to conceal certain sorts of violence whilst foregrounding others. For many of us, it takes difficult and sustained work to undo the ways in which we are formed by a system that does not value all lives equally so as to be able to recognise the violence done to bodies that are different than ours. To quote James Cone, for example: “White people have a distorted conception of the meaning of violence . . . violence is not only what black people do to white people as victims seek to change the structure of their existence; violence is what white people did when they created a society for white people only, and what they do in order to maintain it.”3 The appeal to non-violence has been made too often in the service of violent systems of oppression, and we would do well to be wary of it.
Theology after Postmodernity ends with the invocation of Job, who learns “in the context of the enormity, majesty, and mystery of a world that seethes and thunders around him . . . that what we perceive as natural evil is an expression of the abundance of the eternal creative act of the divine being, beyond anything we humans can comprehend” (399). When Christ was put to death on the cross, the earth shook, the rocks split, and the sky went dark. For all its graced goodness, the natural world bore no such witness to the murders of Michael Brown or John Crawford, of Tjhisha Ball or Angelia Mangum. What does it mean to be faithful to the bodies of those we love if not to confront the blank indifference of the depths of the sea and the storehouses of the snow and the rain in the face of their suffering, to face down the sun which shines alike on the just on the unjust, and to say with Jacob Taubes: “I can imagine as an apocalyptic: let it go down. I have no spiritual investment in the world as it is”?4
Augustine, Confessions, translated by Henry Chadwick (Oxford: Oxford University Press, 1991).↩
Angela Davis, An Autobiography (London: Arrow Books, 1974), 208.↩
James H. Cone, “Black Theology on Revolution, Violence, and Reconciliation” in Risks of Faith: The Emergence of a Black Theology of Liberation, 1968-1998 (Boston: Beacon Press, 1999), 35.↩
Political Theology of Paul, translated by Dana Hollander (Stanford: Stanford University Press, 2004), 103.↩
Hannah Hofheinz
Response
Writing beyond the Writing
TINA BEATTIE’S THEOLOGY AFTER POSTMODERNITY is a work of erudition and passion. When Beattie brings the psychoanalytic theory of Jacques Lacan into close relationship with the theology of Thomas Aquinas, she expands what both men contribute to today’s conversations about God, desire, knowledge, gender, and nature. Their engagement opens space to recognize the mysterious plentitude of God in the Other of Thomas’ One God: the incarnate, maternal Trinity. The practical import of this is immediate. Beattie pushes beyond the politics of postmodern theologies, liberal feminism or other rights-based languages to gesture toward new theological spaces to counter the misogyny, exploitation, commodification, and violence that threaten women and nature. It is not necessary to agree with her diagnosis of the politics of established critical discourses to recognize that Beattie’s expansion of Thomas’s theology stretches the possibilities for feminist, sexual, and ecological theologies.
In this response, however, I focus less on the content of Beattie’s engagement with Thomas and Lacan and more on the question of writing itself. Theology after Postmodernity troubles not only the alignment of God with phallic patriarchal form, but also the stable uniqueness of the writing of theology. This is a book about theological language and a desire for an effective theological language. It is a book about the desires that move within theological language and the desires that create—and destroy—theological language. In many respects, this is a book about theological writing. This is of utmost importance to theology. We must learn how to write again. We must learn how to write beyond both modernity and postmodernity. Indeed, we must learn many different ways to write again, and we must learn the reasons for and effects of different ways of writing. Beattie moves us in this direction.
Theology after Postmodernity traverses a range of difficult theological and psychoanalytic conversations with careful attention to the nuance and complexity of their ideas. Over exactly 400 pages and five parts, the text moves through the complex historical, philosophical, theological, and psychoanalytic geographies of the writing of both Thomas and Lacan. In doing so, the text makes significant demands on both its author and readers. The effort required to accompany Beattie through this terrain is significant, but well-spent. The journey seeks “to discover what kinds of theological language might suffice for the challenges that postmodernism sets before us with regard to knowledge, and the crises that loom before us in the disintegration of modernity’s values and institutions not least with regard to questions of embodiment, gender and nature” (35). The answer appears as an incarnate theological writing.
Beattie’s writing yearns for language sufficient to draw us “face-to-face with the dazzling darkness and thunderous silence of the Trinitarian God” so that we are “stunned into [an] unknowing” that enables us to “turn again to the world and to our neighbor in need” (53). We need a theological language that breaks our bondage to market forces and utilitarian imperatives. We need theological language that interrupts the gendering of knowledge and power and therewith the ordering of bodies, lives, and nature. We need, Beattie suggests, a theological language that breaks with the rationalized and systematized androcentrism of Aristotelian philosophy installed by the medieval university. We need a theological language that includes flesh with all its messy fleshiness. Rather than an impossible postmodern pretension to writing bodies, we need a theological language that transforms “into material acts that incarnate Christ in the world, and thereby reconnect the broken links between language and matter” (382). If the phallus has been the prohibition of language, she asks, what if the body now becomes its medium?
Here we encounter a version of the “question around which everything in this book implicitly revolves, and that is the question of God in relation to form” (318). When God aligns with form as an inseminating phallus impregnating matter, the patriarchal order becomes divinized with far reaching consequences. Thomas sought to show that Aristotle’s God “fits like a hand into the Christian theological glove” (313), and in the process of doing so, his theology instantiated the perniciously gendered ontology. This sexualized order remains evident from the organization of knowledge in universities through unrepentant ecological devastation to misogynistic social structures. It also remains evident in our theological language and (I add) ways of writing. Beattie argues that reading Thomas with Lacan opens different possibilities.
On the one hand, Thomas sought to demonstrate the agreement between Aristotle’s philosophical God and the God of scripture. Lacan shows the way to articulate how the identification of God with (male) form as distinct from and superior to (female) matter establishes a sexualized social order that continues today. Creation occurs as the Divine insemination of matter. That which is on the masculine side of the binary aligns with activity, being, and fullness, while that which falls on the feminine side aligns with passivity, lack, and deficiency. On the other hand, however, Thomas’s understandings overflow the structure of this ordered account of matter and form. This is especially evident, Beattie suggests, in Thomas’s understanding of the nature of being and Trinitarian relations. A careful reading makes evident that God appears above and beyond both form and matter. “Form and matter, motherhood and fatherhood, are equally in God and expressive of God, while both are analogical and therefore cannot be used in any literal or direct way.” (324). This removes motherhood and fatherhood “from the relationships of copulation and necessity that define Greek concepts of being” (324). It is not the sexual other that we lack, but God. Our desire for this lack—our desire for God—opens space in Thomas’s theology in which Beattie articulates a “m(Otherness) to Thomas’s God that will not let him go” (313).
Recalling an email exchange between herself and Fergus Kerr on this topic, Beattie recalls his reticence to pursue the language of form and matter with respect to Thomas’s God. Kerr cautions her of the need to render the language strange. He advised her to mark carefully that God can only “be described as an odd kind of form” and that “he [Thomas] doesn’t really like” even that (320). This moment in the text is illuminative. When Beattie’s writing approaches nearest to ambiguities and ambivalences of Thomas’s understanding of God and form, the text slips or stretches beyond the genres and demands scholastic knowledge and writing. It is not simply that God can only be described as an odd kind of form. The form of the description—that is, how we write toward God—also benefits from a bit of strangeness.
It is therefore unsurprising and good that Beattie’s writing periodically irrupts with a “rising linguistic tide of body and blood” (382); visceral, evocative, and passionate passages appear throughout the book. These, however, remain the exception. In the introduction, Beattie explains the tension between literary creativity and rigors of academic scholarship in Theology after Postmodernity in terms of her increasing conviction that creativity, art, and literature are “trustworthy heirs to the theological tradition,” while academic theologians have let the demands of bureaucracy and authority silence the imagination and playful spirit which is at the heart of all theology (5–6). I want to ask further whether this tension manifests hints of the transformation about which Beattie writes in expanding Thomas’s theology toward his incarnate, maternal Trinity, but that she does not yet perform.
“Thomas and Lacan are book-ends that mark the era of writing—at least, according to Lacan,” Beattie writes (290). They represent liminal figures on either end of modern conceptions and techniques of knowledge, with which postmodern theorists have been much concerned. While they interrogate and experiment with language, knowledge, and desire in very different contexts and with very different tools, Beattie brings them together at a point of agreement. For both Thomas and Lacan, “desire draws us to seek meaning beyond the system of language and the meanings it claims to offer” (56). Desire draws us to seek that for which language proves insufficient. For Thomas, we ought to let analogical theological language use what is familiar to meaningfully articulate a Divine whose mysterious fullness is beyond understanding and experience. For Lacan, we need to interrupt the false confidence in knowledge that characterizes the modern thought. Thomas articulates a mysterious plenitude, while Lacan marks an abyss. This difference leads Thomas to use language in his Summa Theologica with unadorned clarity and precision, while Lacan obfuscates and confuses. For both, however, a desire to write into the unwriteable is at stake, with all the attendant promises and dangers such a task entails. Moreover, they both achieve remarkable success with finding languages and ways of writing that can allow them to communicate what cannot be directly written.
Rather than promulgating the ordered universality of knowledge through the books of university libraries, knowledge today finds unpredictable, fractured, and odd forms that are also democratized and participatory. Beattie suggests that the word of the Lord subverts the disembodied universality and authority of the written word like women singing the meaning of words through their bodies that they cannot (and are not allowed) to read. We could take this to suggest that we are seeking theology outside of written forms, but this is not the case. Beattie offers Catherine of Siena as an example of carefully crafted writing that confronts us with “a radical otherness in terms of theological style” (365). Catherine exposes what the writings Thomas and Lacan exclude, deny, or repress. For Thomas, this is the corporeal and material effluvia that must be part of theology. For Lacan, this is the body of God and the body of our neighbor in need. “In her transgressive scrambling of all the boundaries of language, knowing, and being, Catherine throws open the doors of heaven and hell and confronts us with the most radical possible mercy. . .” (385).
Beattie attends carefully and at length to the ideas that inform our understanding of language, desire, and God in the writings of Thomas and Lacan. In comparison, the critical attention to their use of language and writing appears relatively cursory (though far from absent). For instance, while Beattie explores the philosophical roots of Thomas’s austere use of language in the Summa, the pedagogical purposes and effects of its progressive structure to teach the meaning and experience of desire, language, and God remain largely unthought. Desire and language appear not only in the words and ideas used to describe, analyze, relate and conceptualize the concepts, but also in how the writing of texts moves—and move others—toward understanding.
What does it mean to talk about an incarnate theological language without writing into its possibilities? Better question: What will it look like to write the incarnate theological language toward which Beattie gestures? The final chapter of the book pushes in this direction as Beattie explicitly offers “an act of imaginative contemplation” rather than academic argument (389). Yet even here, the writing itself remains largely within scholastic expectations for expository writing. Theology after Postmodernity is an “academic work” in the full scholarly sense of the phrase. Beattie does not proffer an alternative language or form of writing herself. The techniques of scholarly prose structure this section like the rest of the book with the rhythms of thesis, exposition and evidence. Beattie dedicates most of her words to exposition on the meaning, etiology, and impact of intellectualized concepts and ideas.
I end Theology after Postmodernity wondering what theological knowledge will become possible if Beattie’s writing incarnates that about which she writes. Admittedly, as she writes: “we need to bear in mind that it is much easier to problematize language in theory than in practice” (56). Writing shapes what can be communicated, and the desire to write is a desire to communicate meaningfully. There are moments when the text irrupts with writing that overflows its academic bounds to incarnate fleshiness of theological possibility. Though these irruptions remain surprising and at times disorienting, they hint that perhaps the transformation of theology will be of a different order than that which can be suggested by analysis or exposition. I yearn for more. Alternative languages and ways of writing theology are not only possible, they are needed. When we write differently, we will know God differently.
12.29.14 | Tina Beattie
Reply
Response to Hannah Hofheinz
When one writes any academic book, particularly one that is dense, convoluted, experimental and exploratory, there is always a deep anxiety as to whether or not one will be understood. In deciding to explore the possibilities for cross-fertilisation and mutual critique between Thomas Aquinas and Jacques Lacan, I found myself wading through linguistic complexities that carried me far beyond my intellectual comfort zone. Working to an absolute rule that I would not write anything that I did not myself understand—even if such “understanding” entailed writing on the boundaries of understanding—I nevertheless found myself wondering if such comprehension might elude even the most patient and attentive reader. I was also aware that in tackling not one but two revered masters of the classical and postmodern canon, both of whom have a dedicated discipleship made up largely if not exclusively of male scholars untroubled by their intrinsic androcentrism, I was laying myself open to every kind of criticism, particularly in view of my highly idiosyncratic approach which is not quite feminist but deeply gendered.
I emerged from seven years of immersion in writing the book with a feeling that I was getting up off the analyst’s couch, ready to face the academic world. As a convert to Catholicism and a mature student who first went to university when the youngest of my four children started school, writing this book was cathartic, therapeutic, and personally and intellectually formative in ways I cannot begin to describe. So even if nobody else “gets it,” I am still glad that I have written it. I needed to write it, and if it finds one answering echo out there, that is a bonus.
Hannah Hofheinz has offered me that answering echo. I could not have asked for a more sensitive and attentive reading, nor one which so clearly brings to light some of the aims that remain at times underdeveloped and implicit in the book itself. She is so right when she describes this as “a book about theological language and a desire for an effective theological language. It is a book about the desires that move within theological language and the desires that create—and destroy—theological language.” Summarising how that desire relates to our modern values and institutions, she insightfully recognizes that this is about seeking a new way of writing theologically, breaking with “the rationalized and systematized androcentrism of Aristotelian philosophy installed by the medieval university” and seeking to include “flesh with all its messy fleshiness.” She rightly says that I seek this by exploring the ways in which “Thomas’s understandings overflow the structure” of his Aristotelian account of form and matter, particularly with regard to his maternal, relational Trinity, problematizing his ambivalent and inconsistent association of God with Aristotelian form. Hofheinz also notes how the book is academic in style, but from time to time the writing “irrupts” in a way that is “visceral, evocative, and passionate.”
This brings me to some of the questions that Hofheinz poses to my project, which are incisive and which acutely identify some of the unresolved issues I am left with. This is, as Hofheinz recognizes, a book about theological writing, and “a desire to write into the unwriteable.” But with a few exceptions, I confine myself largely to academic analysis of these questions, rather than offering examples of what such writing might look like. So I too am left wondering “what theological knowledge will become possible if Beattie’s writing incarnates that about which she writes.”
There are institutional constraints and personal anxieties that come into play here, but also for me unanswered questions about the significance of systematic theology and its relationship to more incarnational, narrative, and imaginative forms of theological expression. The British academic funding system now works on the grading of published research, and this brings with it considerable pressure to produce books which impress one’s academic colleagues. Allied to this, I readily admit to that deep anxiety which haunts many—perhaps most—academics, particularly those of us who came late to university life and who constantly juggle conflicting demands on our time. Am I really up to this? What if somebody “outs” me as knowing far less than I pretend to? One way to tackle that doubt was to take on two of the most influential and difficult blokes in academia, and to show I was up to the task of reading them. So yes, it’s a book that in some ways reflects an excessive concern to prove its academic credentials with a highly analytic style of argument and debate and an over-abundance of footnotes, references, and citations.
On the other hand, it really was a journey of discovery. As new interpretative possibilities shimmered into view, I wanted to check them out. Has anybody else ever thought this? Can I find at least one scholar out there who might back me up? And on it goes.
Along with all this there was the defiant sense of a plague on both their houses. Thomas writing for his monks with astonishing genius and at times with mesmerizing mystical insight, but with a disregard sometimes for the ways in which his deeply incarnational theology might actually play out in the muddled fleshy interactions of ordinary life, not least as far as women are concerned. (I am aware that his sermons and biblical commentaries can be quite different, but my main focus was the Summa Theologiae). And Lacan, endlessly parodying himself in performances for his seminar audiences, in ways that sometimes suggest a narcissistic self-absorption that violates some of the most fundamental relational and ethical commitments of the Christian life. Dear reader, I wept—often.
In the midst of all this the question of style arose again and again, with unresolved persistence. On the one hand, I continue to ask myself if the work of systematic theology now belongs within the history of western ideas, interesting to study but not as a meaningful way to make the Christian story alive and relevant. Indeed, might systematic theology serve only to distance the academic theologian from his (and sometimes her) communal, relational, and embodied expressions of faith in favour of an approach blanched and sterilized in the rationalizing glare of the academy? After all, the Orthodox tradition has nurtured a profound mystical theology based on patristics, liturgy and icons, without any need for systematics and in a way that has preserved a deeply creational intuition with regard to the sanctification of nature.
Another question I ask myself is whether, as I imply in the book and as Hofheinz succinctly observes, we need to learn to write all over again—and what form would such “writing” take? I first began asking these questions when doing my PhD on the cult of the Virgin Mary. Gradually, I began to realize that medieval Marian art communicated nuanced incarnational meanings, particularly with regard to female embodiment and redemption, which eluded the written text. Art has always been a medium of theological education for the illiterate and the unlearned, but for that very reason it sometimes eases away from the organizing intellectual control of orthodoxy to embody itself in the margins where women and other theological “outsiders” have traditionally found ways to express their relationship to God in diverse and creative forms of expression. This is why I included a chapter on the vernacular theology of Catherine of Siena. So I continue to ask myself if the visual image, along with cinema, literature, poetry, and music, is pregnant with the mystery of God in ways that systematics cannot contain. Yet the paradox is that one needs to understand theology and doctrine to interpret these other “texts,” even if such interpretations sometimes yield unexpected meanings. So this is in the end a continuous movement backwards and forwards between rationality and creativity, analysis and expressiveness, sober scholarship and imaginative fecundity.
I think I need to leave those questions there, but I feel a deep sense of delight that at least one reader has taken the time to understand and respond in a way that goes to the very heart of what the book is about. As Hofheinz says, “Writing shapes what can be communicated, and the desire to write is a desire to communicate meaningfully.” Hofheinz reassures me that, for at least one reader—and therefore potentially for any reader?—I have fulfilled that desire to communicate.